The European world understands that there is no cultural, scientific, and philosophical continuity between the Ancient Times and the Middle Ages. The Middle Ages was like a trauma that paralyzed the world, and put it in a coma for a long time. The city is the place of culture, because it is where the largest number of people are concentrated, where a countless number of transactions and communications take place, and where a countless number of professions are practiced.
In the bucolic countryside only agriculture is practiced, people live isolated from each other. The medieval world was a rural world. It is true that the countryside is where one has a place to live and food to eat, but a life dedicated only to subsisting can hardly be called human, only animals spend their lives exclusively subsisting, that is their time is entirely devoted to look for food.
Agriculture is therefore the foundation of culture. However, the goal of agriculture should not stop at subsistence, but to create surpluses that will then be the basis of trade, which will allow the acquisition of other goods and promote the relationships between people, giving rise to other activities. In short, they will foster culture and development.
During the Renaissance, cities began to reappear. Europe, realizing the cultural discontinuity between the Ancient Times and the ten centuries of the Middle Ages, tried to perform a bypass, by passing over the Middle Ages to go back to the past to the Greco-Roman world to resurrect this culture without the mediation or the lenses of the Church.
Inspired by the values of classical antiquity, the Renaissance man has the idea that everything medieval is bad and everything belonging to the ancient world is good. This perspective is mistaken on multiple fronts. Philosophy, for example, though of Christian inspiration, advanced in the Middle Ages; architecture, especially Gothic architecture, took a huge step forward during Medieval Times.
The somewhat crude architecture of Greek and Roman times was recreated during Renaissance with the monumental style that lost to the Gothic style in beauty; it is merely monumental, that is, big, immense. For example, St. Peter's Basilica is monumental, it is Renaissance, but it is certainly not more beautiful than the simplest Gothic cathedral.
With the emergence of the burgh, a term that means city, at the end of the Middle Ages, another social class was born in the midst of the people, the bourgeoise, or literally the city dweller. They were not, of course, dedicated to agriculture, but to commerce, arts, and skilled trades which emerged as life became more diversified and no longer revolved around subsistence. This physical aspect was entrusted to the people and their work in agriculture, the spiritual and moral aspect was entrusted to the clergy, and the security aspect was entrusted to the nobility.
Origin of the Renaissance
In the Italian peninsula, cities never totally disappeared and the peoples did not stop trading or using money. There was, however, a decrease in these activities during the Middle Ages. Due to the geographical situation of the Italian peninsula in the middle of the Mediterranean Sea, several riverside cities such as Venice, Genoa, Florence, Rome, among others, benefited from trade with the East. Marco Polo is said to have paved the way.
These regions grew rich with the development of trade on the Mediterranean Sea, giving rise to a rich merchant bourgeoisie class. In order to assert themselves socially, these merchants sponsored artists and writers, who inaugurated a new way of expressing art. The Church and the nobility were also patrons of artists like Michelangelo, Domenico Ghirlandaio, Pietro della Francesca, among many others.
The new bourgeoise social class that emerged in the Renaissance had money but no status, unlike the clergy and the nobility. On the other hand, since they had money, they did not fit in with the peasants. Thus, they sought to invest their wealth by sponsoring works of art, in order to be socially recognized.
Reborn
‘Very truly, I tell you, no one can see the kingdom of God without being born from above.’ Nicodemus said to him, ‘How can anyone be born after having grown old? Can one enter a second time into the mother’s womb and be born?’ Jesus answered, ‘Very truly, I tell you, no one can enter the kingdom of God without being born of water and Spirit.’ John 3:3-5
In mid-14th century, a transition began between the medieval and modern worlds. This transition is known as the Renaissance or being born again, as the Gospel suggests.
The movement began in Italy which had been the center of Greco-Roman culture and its last stronghold, the center of the Roman Empire. It was also the place most dominated by the Church, since almost all of Italy at the end of the Middle Ages was a Papal State, made up of lands that the Holy Roman Emperor Charlemagne gave to the Church. Therefore, those who call the Church obscurantic forget that it was the greatest promoter of Renaissance in the field of architecture, painting, sculpture, and other art forms. And that Greco-Roman culture was reborn precisely where it had been made extinct by the barbarians.
The Renaissance encompassed almost every facet of life, economics, politics, philosophy, and art among many, and especially science. The major contributors to the Renaissance (such as Petrarch, Leonardo Da Vinci, and Dante) classified the medieval period as slow and dark, a time of limited education or innovation. They saw the medieval period as an interruption of culture between the classical world of Greece and Rome and the Renaissance.
The idea of community distinguished the medieval period. The people—clergy, nobility, and peasantry —faced real threats of famine, disease, and war, which were dangers that fostered community dependence in areas such as labour, religion, and defense. For example, a medieval tradesman belonged to an association that dictated every aspect of his business. The idea was that all craftsmen would earn an equitable living, and not that some would earn more than others. Uniformity was the norm; each profession had its own way of dressing, even prostitutes had their distinct habit, a way of dressing that distinguished them from other women.
The Renaissance, on the other hand, underlined the importance of individual talents. This idea, known as individualism, is visible in the philosophy and art of the time. Moreover, while medieval scholars had studied ancient Greek and Roman documents to learn about God and Christianity, Renaissance scholars studied them to discover more about human nature. This new interpretation was known as humanism.
Thus, a humanism not directly linked to Christianity emerged, that is, a secular humanism that would grow exponentially throughout the Modern Times. In fact, the Renaissance was the first stone of the materialistic humanistic worldview opposed to a spiritualistic worldview that reigned throughout the Middle Ages.
Renaissance art also reflected this humanistic worldview. While medieval art was intended to teach a lesson, perhaps tell a biblical story, like the stained-glass windows of Gothic cathedrals, Renaissance art glorified the humanity of the individuals portrayed. Medieval statues tend to be of saints and in an unnatural mystical position. In contrast, Michelangelo's David, the Pieta, and Moses seem to be more realistic. The statues stopped being frozen images of piety and began to reveal human emotions, appearing ready for action.
Renaissance Values
Rationalism – Reason was the only path to reach knowledge. Everything could be explained through reason and science. Medieval scholasticism also valued reason, but not exclusively. Faith is another way of knowing, which Renaissance ignores, as does culture in general after it.
Scientism – For the Renaissance, all knowledge should be demonstrated through scientific experiments. The expression "experience is the mother of science" is from this period. Today we know that experience is not the only mother of all sciences. Science is not only the result of logic and deduction, but also of intuition, as demonstrated by the theory of relativity.
Individualism – Human beings sought to assert their own personality, showcase their talents, achieve fame, and fulfill their ambitions through the concept that individual right was above collective right. Thus, liberalism in all its forms emerged. We will have to wait for the socialist revolution to talk more about equality, because the equality of the French revolution was an equality where some are more equal than others, as George Orwell puts it.
Anthropocentrism – Places man as God’s supreme creation and the center of the universe. The phrase “man is the measure of all things” is from this time. God begins to be cast aside, until he is completely replaced by Nietzsche's superman.
Classicism – Artists looked to Greco-Roman Classical Antiquity for inspiration to realize their works. The idea was that any moment in the past is better than the Medieval one.
Renaissance Writings
Great writers who are still famous worldwide are from this time, because they wrote world-renowned works for all times, as well as becoming ex libris or representative of the culture where they arose.
- Dante Alighieri: Italian writer, author of the great poem "Divine Comedy". It deals with the three instances after death – Heaven, Hell, and Purgatory – and is a jewel of universal literature and the ex libris of Italian culture.
- Machiavelli: author of "The Prince", a precursor work of political science where the author gives advice to the rulers of the time.
- Shakespeare: considered one of the greatest playwrights of all times. In his work, he addressed human conflicts in the most diverse dimensions: personal, social, political. He wrote comedies and tragedies, such as "Romeo and Juliet", "Macbeth", "The Taming of the Shrew", "Othello" and several others. Ex libris of English culture.
- Miguel de Cervantes: Spanish author of "Don Quixote", a scathing critique of medieval chivalry. Ex libris of Spanish culture.
- Luís de Camões: stood out in Renaissance literature in Portugal, as the author of the great epic poem "Os Lusíadas", ex libris of Portuguese nationality.
Renaissance Arts
We highlight Leonardo da Vinci who is the ex libris, stereotype or prototype of the Renaissance man; the man of a hundred trades. He was a mathematician, physicist, anatomist, inventor, architect, sculptor, and painter; he was the Renaissance man who mastered several sciences. For this reason, he is considered an absolute genius. The mysterious Mona Lisa and the Last Supper are his masterpieces. When someone tells us about the Last Supper of Christ, the image that always comes to mind is that of Leonardo da Vinci's timeless painting.
Scientific Renaissance
The Renaissance was marked by important scientific discoveries, notably in the fields of astronomy, physics, medicine, mathematics, and geography. The Polish Nicolaus Copernicus denied the geocentric theory defended by the Church, inherited from Aristotle and Ptolemy, by stating that "the Earth is not the center of the universe, but simply one of the many planets that revolves around the Sun”. The new center was now the sun. Today we know that neither the Earth nor the sun is the center of the universe. The universe may not have a center...
Galileo Galilei discovered the rings of Saturn, the sunspots, the satellites of Jupiter. Persecuted and threatened by the Church, Galileo was forced to publicly deny his ideas and discoveries. "And yet it moves," Galileo is said to have said as he left the courtroom where he was forced to lie, the ‘it’ refers to the Earth. The Church was wrong to look at the Bible as a book of science.
Galileo said that it was the Earth that went around the sun, but he never managed to prove it because what people saw was the opposite: empirical experiment in this case tells us the opposite of the truth. Poor Galileo could have simply said that when we ride or move in a horse carriage, we know that it is we who move; yet our eyes see the trees moving. In the same way, we see that it is the sun that moves, even though we know that it is fixed in relation to us because we, inhabitants of this planet, are riding in the motion of a moving planet, like the carriage.
In medicine, knowledge advanced with works and experiments on blood circulation, cauterization methods, and general principles of anatomy. The first autopsies to investigate causes of death and learning about the human body and how it works are from this time.
Conclusion: upon waking up from a dream that had lasted a thousand years, the Renaissance realized that the Middle Ages, from the trauma of the barbarian invasions, was not a logical continuation of the Ancient Times that had been buried alive. The Renaissance was a bypass from the classical world to the present day, without passing through the Middle Ages. It was the drinking of the fountains and putting down roots in the Ancient Times as a model of inspiration, and casting aside the Middle Ages as if it had never happened.
Fr. Jorge Amaro, IMC